We intended to paint using only the moonlight, the distant park overhead lights, and a small head lamp. On our first attempt, both myself and the Mexican plein air painter Gabriela Marquez were met with a steady rain after about 2 hours of set-up and painting had passed. The showers came and went a couple of times before finally increasing in intensity enough to make us finally give up. We were working in acrylics. There was a point early on that our work could have been salvaged had the weather dried up, but as it turns out it went in the opposite direction. 
 We both decided to keep what was created from the combination of our work and Mother Nature's. 
With layered background colors of blues, grays, browns, and reds it provides a base to project the distant warmth of the cross bay lights yet does not allow one to escape the surrounding chill and empty darkness looming outside of the frame. The peaceful calm of the rippled bay is challenged by the gathering wedged and rolling clouds. The browns and reds show up much better than is represented in the photograph. 
What a wet mess!











